PP: 2" for each object with simple shape (it's just one mouse click), same time needed to draw a mask in AMC AniMatte This is just an example, in the last years I had to fight with to use AMC, in many other situations due to missing native FX (blending modes, finally solved by an external amc fan) or camera codec support. In Pr/Ae, GoPro FX Reframe is available for free. In AMC the only way was to use Boris VR Unit (199US$). AMC needs more "help" from outside sources for camera codec/formats and vfx.Īs I wrote some days ago I worked for a commercial where director used GoPro Hero 360 for some shots. Trust me, I love AMC, I own my personal/perpetual license, but it's becoming more and more difficult to push my boss to renew licenses at office. Set keying Color with eyedropper clicking on Green or Blue background and then you can do what you want withĭuring the last 2 days I spent much time trying to find an alternative/quicker solution, but I've only found A LOT OF PEOPLE asking the same question, maybe Avid development team should consider all these posts as a feature request.
#PINNCLE DAZZLE DRIVER WINDOWS10 FULL#
Open 3DWarp effect editor and change in Foreground Full Key to Chroma key or better SpectraMate Keyħ. Put (don't alt+put!, just put) 3DWarp effect on collapsed clipĦ. Create Title with solid Green or Blue color background onlyĥ. Move you clip with Animatte cutout to V3Ģ. In Resolve Free, put clip on V2, draw your mask, add Alpha output, ready to animateġ. In PP: Put clip on V2, draw your mask, ready to animate Try to multiply this for 10 different objects and you'll agree with me that's a nightmare (time consuming) workflow. I love AMC, but limitations are becaming more and more every month. Hope someone in Avid development team will read this post. World is changing faster, today editing a simple commercial, even if offline, needs lot of features not available in AMC, as an example i 2 days ago I had to do a job in Premiere cause there's not available a plugin for a GoPro 360, plugin available for Premiere. Honestly, Avid should wake up and improve many features simply forgotten in time. In AMC we can only use FrameFlex, that onestly is ridiculous.
#PINNCLE DAZZLE DRIVER WINDOWS10 PC#
Some years ago I started using a second PC with Adobe suite for this tasks, but, onestly, I'm slowly moving to Premiere for many entire jobs due to its ductility.Īnother example is the ability to use full res (4k or more) on a hd timeline, and you can use all fx on it, move it, scale it, navigating into it, with full resolution available. It could be much more simple if AMC could export clips with alpha channel, put your foreground on V1, apply and create your shape in AniMatte, export a PNG with alpha and use it as you want on your timeline, but as I know, AMC isn't able to export images/clips with alpha channel.
That post shows a nightmare-workflow for an easy feature. Post is from Mar 30 2018, today is Mar 25 2023, 5 years and nothing happenned on this side.
I remember that old post, I found it years ago when I tripped on the same problem. The only way I've found is to create an animatte fx for V2, inside V2 (1.2) 3D Warp to resize/move my object, then back to V2 using the Tracking tool to scale Animatte following V2. Nothing more than when you use a PNG with tranparency, that can be promoted to 3D. I don't think it's a so difficult feature to have, it's just a mask applied to a clip generating transparency, that can be moved/resized as you want using 3D Warp without affecting the background layer. Is it real that there's no way to "promote" to 3D an AniMatte FX?įinal required composition: the static obj on V2 with its background removed/masked, animated in size/position flying around the screen without affecting the background layer. Step out and it should look fine and shouldn't have adjusted the layer below.īasically the same problem here, but with a complication. You need to step into the V2 shot that has the AniMatte and add the 3d warp once stepped in.
Basically, you have to add the 3dwarp (with the resize) UNDER/INSIDE the effect (the AniMatte) in order not to have it resize all the layers below it.
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